Ronkẹ Adékọluẹ́jọ́ and Eliza Scanlen on their brilliantly OTT adaptation of The Importance of Being Earnest

“There’s this burgeoning clown revolution coming” – Lily McMenamy’s one-woman show is brilliantly grotesque

“The world is a shared one, but we’ve played very individually” – Eleanor Burke and Harriet Taylor on their strange opera double-bill

“We treated the squad like it was a fucking opera” — Dimitris Papaioannou’s dance performances are punk poetry

Alastair Curtis is reviving the forgotten plays of writers who died of HIV/AIDS