An installation by Dutch contemporary artist Boris Acket was at the centre of the Boss showspace. Suspended above the runway, a delicate foil-like structure rippled and folded with a slow, hypnotic rhythm – like waves shifting in and out of sync. “The piece takes on the role of a non-human performer, guiding the models as they move through the show,” said Acket. “The work is rooted in juxtaposition: creation and destruction unfolding in parallel.”

That same spirit of duality fed through the collection itself. Titled Paradox, the show notes referenced two disparate worlds: the minimalist geometry of German industrial design from the 60s, and the instinctive, kinetic freedom of contemporary dance. Finding that balance – where structure meets flow, and precision leans into softness – Boss’ signature tailoring was loosened at the collar – quite literally: top buttons undone, ties off-centre and cuffs casually flipped – and merged with sportswear silhouettes, light technical fabrics, and sculptural detailing.

Trench coats were sliced and pleated into new architectural forms, strapless dresses were crafted with utilitarian pockets, and knit polos in silk cotton brushed up against sheer layers and glossy leather cummerbunds. One slanted jersey top dissolved into soft wide-leg chinos, while an inside-out cardigan twisted open at the back. Materials found new grounding: raffia knits under suiting, raw hems against pressed shirting, and outerwear in supple bonded leathers. On the front row sat brand ambassadors David Beckham and Aaron Pierre, alongside actors such as Corey Mylchreest and Rudy Pankow, while Ryan McGinley walked the show in a burgundy suit with layered shirting.