Severity and normality
Top image: Image by Derek Ridgers from SORT issue 3.
The brainchild of Joseph Delaney and Matt King, SORT zine first burst onto the independent publishing scene in 2015, offering a a candid documentation of London’s youth zeitgeist. Now the duo return with their third issue, and here we’re offering an exclusive first look inside.
With recent social and political events sending the world into a mad spin, this latest issue sees the duo shift direction in order to reflect and address the global situation; focusing on what is truly severe in 2017 – that which hides in plain sight. “The project was previously about offering an unedited view of the world we live in, and in terms of aesthetic and other interests, we identified that as the severe – think fetish clubs, noise music and brutalism. However for this issue, as a result of what’s been happening around the world since our latest edition, we felt we couldn’t continue without reflecting on our situation in some way, and it lead us to think about what is truly severe in 2017.”
“The narrative we’re told positions us – anyone living outside of the view of a white cishet agenda, of heteronormative, cisnormative, monoganormativity – as deviants and something to be feared, when in truth normality, which is really just fear of change, of anything out of the ordinary, is what’s really most dangerous, most severe.”
Capturing the true aesthetic of these ‘alternative’ cultures, the duo tapped an impressive list of contributors, including new work by iconic nightlife photographer Derek Ridgers, Russian artist Slava Mogutin, Kiddiepunk founder Michael Salerno and English punk commentators Bad Breeding, as well as an exclusive look into the Tate’s archive acquired from Industrial music pioneer Genesis P-Orridge.
Image by Jacqueline Castel from SORT issue 3