The club-kid era of the 1980s brought swathes of creativity to an artistically stagnant London. It changed things. But Derek Ridgers’ new book, THE OTHERS, holds observations of those who weren’t subscribed to the punks, skinheads and new-romantic cults.

“The people in this book are less identifiable as part of a clearly defined youth cult,” Ridgers explains. “They are not all punks or skinheads or new romantics: these are the others.”

Clubs and parties dotted around London at the time – like acute cavities of creativity, soul and likemindedness – only spurred more newcomers to the extremely coveted, club-kid scenes. But his attention to the undocumented, non-populist settings candidly reveals a similar passion: one that is rooted in togetherness.

“The people in this book are less identifiable as part of a clearly defined youth cult. They are not all punks or skinheads or new romantics: these are the others.”

Angela Hill and David Owen at IDEA edited 650 images from a folder – named “THE OTHERS” (hence the name) – whittling it down to 100 for the book.

The smaller, unnoticed – but still compelling – interactions during those long, eventful nights are Ridger’s focus, and, subsequently, vulnerability. It’s difficult not to be engrossed.

‘The Others’ by Derek Ridgers is out now via IDEA Books.